The most anticipated studio debut of the fall festivals, "Steve Jobs" rests on an extraordinary text by "The Social Network" Oscar-winner Aaron Sorkin, who structures a dense, dialogue-driven narrative around three "ten-minute" run-ups to Apple co-founder Jobs' unveilings of the original Macintosh computer in 1984, his NeXt black cube in 1988, and the iMac in 1998. It was a smart move to marry sensual visualist Danny Boyle with Sorkin's 200-page screenplay (most are 100), largely set inside the bowels of three auditoriums. After seeing the finished movie—which rides the flow of Sorkin's dialogue with propulsive movement and varied settings--it's easy to...
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